Everyone has their own way of doing things. You only have to watch two people load a dishwasher to know that.Continue reading “Go Your Own Way on Research”
A visceral reaction is the physical feeling that often accompanies an emotional response to an experience or event. Think about the last time you were excited about something – the way your fingers and toes tingled and you felt a little bit light headed. That is a visceral response.
Visceral responses are great tools in the ‘show, don’t tell’ toolbox. You show your character being afraid (She looked over the edge of the cliff and her stomach clenched) rather than telling the reader she’s frightened (She looked over the edge of the cliff and felt afraid). There also a great way of showing the reader, hey this is real. This character feels things just as you’d expect them to if they were real.Continue reading “Let’s Get Visceral”
A while ago a new friend and I discovered that we both wrote, and he asked me what my process was. I was surprised. I’d never been asked that before, but I had to admit that my “process” was getting home from dropping the kids off at school, making a cup of tea, and sitting down and banging out the words. Continue reading “The Writing Process”
Part of the reason I’ve been so inconsistent in talking to you all in the last several weeks is because I’ve been having manuscript problems. One still isn’t quite working for the people who could give it a home, one needed to be completely rewritten and one I just can’t write. It’s that one I’m going to talk about here.
The idea for the story I’m working on now has been sitting in the back of my mind just waiting for me to have the time to give to it. I’ve written up the character profiles, character arc and the main plot points. You’d think that all there’s left to do is write the damn thing. But it won’t come. It’s not just writer’s block, which I think you just need to write through, it’s a lack of passion for the story.
It’s a shame because I think the premise is a good one. Grace wakes up after a party to find a dead boy beside her. Although the police have put her in the clear, the boy’s girlfriend convinces everyone who will listen that Grace did it. Grace is determined to salvage her reputation. As a subplot, Grace has a strained relationship with her identical twin sister. She feels family holds you back but is going to learn that it can also lift you up.
Too bad I can’t get the words on the page.
So what do you do when the story won’t write?
Just Keep Going
According to Stephen King:
And I have taken that advice on more than one occasion in the past (and no doubt will do again). But It’s getting me no where this time.
Change It Up
In an attempt to get the creative juices flowing I’ve tried sitting in different places, writing at different times, listening to music, not listening to music, writing around people, writing on my own, re-reading my old favorites, throwing my old favorites across the room because-how-come-they’re-so-friggin’-awesome-and-I’m-so-crap-ohmyGodnowI’mrantingand….BREATH!
In all serious, changing things up can help me when I’m getting stuck or my brain is actually working against me. Just not this time.
Let It Go
This is my least favorite option. I feel bad for my characters, stuck in limbo with no sign of resolution. But sometimes you just need a break from what you’re working on. Read a book, get into one of your hobbies, go back to another story that needs tweaking. You’d be surprised what comes to you when you’re thinking of other things. (Vacuum. I get great ideas when I’m vacuuming AND I look like a hero because there’s no cat fur on the floors).
Drop Like A Toxic Friend
Me and my latest WIP aren’t quite here yet but we might get here. Some stories are meant to be told, but not by you. My experience has been that all manuscripts look like unworkable piles sludge every now and then, but if your manuscript always looks like that and the thought of working on it sucks the joy and colour out of your life, it might be time to break it off for good.
Have you every had an idea for a story but you can’t get it on the page? What did you do about it (please help me out here! I need to know!).
I write for young adults. Or you could say I write YA fiction. YA is not a genre, even though some people will talk like it is. The genre I write in is contemporary realism. Which means, it’s set in the present and it deals with realistic situations and characters.
Is this important? Continue reading “Why Genre Matters”
Book characters are amazing things. They drive the story and they invite the reader to journey with them. As readers they can become friends. As writers, they can be anything we want to be, however they are often, in part at least, a reflection of ourselves. But what if you want to write a character who differs from you in a significant way? What if the character you’re writing doesn’t share your gender, race, religion, sexual preference and/or nationality? In this case, I believe there’s some extra considerations you should make.
The image above shows the hierarchy of characters. Because the protagonist is the most significant character and the one you need to know the most about when writing you’re characters, that’s the character I’ll be focussing on here.
When we say something’s authentic we mean it’s the real thing or as close to it as you can get without it being the real thing (my husband once told me that the lamb curry I made was too authentic – is that a compliment?). As writers, we strive to create authentic characters living authentic lives and to do that we need to understand our protagonist and his/her life as well as we understand our own.
This can be trickier when our protagonist is significantly different to us. I’m a white, heterosexual, woman (I know, I know. I’ve got it made.). Understandably, it’s going to be more difficult for me to write an authentic black, homosexual, male character than a white, heterosexual, female character. While there are experiences all people share (love, loss, fear for example) our race, culture and sexuality alters our perceptions of them and how we express those perceptions. That’s not to say you can’t write an authentic character who differs to you, my protagonist for All My Father’s Secrets is a boy, but you may need to do more work to ensure they ring true for your reader.
I’m a child of the 80’s and 90’s. For a while in the 90’s there was an influx of sitcoms that featured sassy, black, women. They were there to tell the main character “how-it-was” and they said “mmm-hmm” a lot. These women were always strong, no-nonsense and independent – on the face of it, a positive image. Also a stereotypical and two-dimensional image.
Don’t be lead astray by stereotypes or media-images of a group of people. If you don’t know enough about the life and culture of the protagonist you want to write, think twice about writing them. And if you’re writing your protagonist as being a member of a certain race/culture/sexuality etc. so that you can shine a light on the failings of those people, take heed, you are asking to get decked.
Just because you can write a story, doesn’t mean you should. Some stories are not yours to tell. No writer has the right to appropriate the stories and experiences of another group of people. I would tread very carefully with anything that is culturally or historically sensitive. I, personally and as an Anglo-Australian, wouldn’t write a protagonist who is Aboriginal and experiencing displacement due to the colonisation of their country. Not only would it be insensitive to the reality of Australian and Indigenous history, it’s not my story to tell. There are Indigenous-Australian authors who are far more qualified and capable of telling that story, the story of their people and their ancestors. That’s not to say I couldn’t write the story from the perspective of a white settler in Australia, even one who is sympathetic to the Indigenous people, but I would be appropriating someone else’s story if I did it from another perspective.
There is no rule that says you should limit yourself to protagonists that share your gender, colour and culture. But you should be careful that you can do the character, your story and the real people who may see themselves in that character, justice.
Here’s the thing about writing. It can be a lot of fun. It can also be a lot of work. But these are not the things that determine whether it’s a hobby or not. After all, hobbies can be work sometimes (for example training in a sport you enjoy. I defy anybody to tell me that they love running laps, in the rain, around a flood-lit oval, in the middle of winter. Or hitting endless balls across a net on a scorching day when the sun is reflecting off the court, into your eyes). And work can be fun (a great discussion with a colleague or a hard-won success can be awesome). So what is the difference?
Here’s my five clues that your writing has become more than a hobby.
- You know what ‘platform building’ is:
You’re aware that if you want to get published, it’s probably a good idea to get your name out there, even before a publisher casts their eyes over you precious written-baby. You may not have a platform yet, but right now, as you read this, you know what I’m talking about.
- You write, regardless:
You write whether you want to or not. You write through writer’s block (or google, ‘how to get rid of writer’s block’ and then write). You write when your muse is AWOL. In short, you write like it’s your job (says it all, really).
- You participate in professional development:
You aim to get better at what you do and to that end you read blogs and websites, attend conferences and seek out writing how-to books and texts. You read books within the genre, and for the audience, you write and you read the books of great authors regardless of genre to see just how they perform their magic.
- You share your work with other writers for their feedback:
You’re either part of a writers’ group, a writing association or have a mentor (or any combination of those). You’re actively seeking feedback from others in your field in order to improve your work.
- You are actively working towards being published:
Whether you plan to self-publish or find someone to publish your work for you, you are actively looking towards ways to get your work off your USB and into the hands of actual readers. You’re researching you options, writing submissions and sending your heart and soul manuscript, into the world.
If these five things ring true for you, I believe you can call your writing a career.
Do you tell people you write? That you’re a writer? That you’re an author, even?
Well, then let the rest of us in on the secret! How do you own up to ‘being a writer’ without…well…this:
I’m not good at it. This year my youngest will be starting school and people are full of advice and curiosity about what I’ll be doing with all my “free time”.
Pfft, as if.
The easiest and truest response would be to say that I’ll be working on my business, that of writing. But I don’t because quite frankly it makes me feel…like a fraud.
So, if you have the secret then be a mate and let the rest of us know what it is.
Since the Harvey Weinstein scandal broke late last year Pinterest, Twitter and even traditional news carriers have been full of stories, commentaries and revelations about sexual misconduct, the abuse of power and the roles and rights of men and women. Despite being the type of person who has an opinion on everything, I feel there’s nothing I can add to the conversation here (and the world breathes a sigh of relief). However, it does raise the question of how we as writers should reflect social issues within our work. Continue reading “How Should Writers Reflect Social Issues?”